Fielded's Genre-Defying Work Spans R&B, Industrial Funk, and Cyberpunk Influences
The experimental musician Lindsay Powell, who records as Fielded, continues to subvert genre conventions across her discography while openly obsessing over scammer narratives and Japanese cyberpunk aesthetics.
What happened
Fielded has released a series of albums that traverse multiple genres: her debut Ninety-Thirty-Thirty drew from '80s synth-pop, Boy Angel explored electronic territory with saw-wave synths and layered vocals, 2020's Demisexual Lovelace was a slinkier hip-hop-adjacent release on Backwoodz Studioz featuring Armand Hammer members Billy Woods and Elucid, and her latest album Some Kind of Animal combines organ-driven slow jams, a cover of Nine Inch Nails' "Closer" with neo-soul elements, and industrial funk tracks including a guest verse from Pink Siifu. In an interview, Fielded stated that her most indispensable recording tool is her Universal Audio Apollo Twin audio interface, that she has a pirated full-length version of the Japanese cyberpunk film 964 Pinocchio pinned to her tab bar for sonic and visual inspiration, and that she is currently obsessed with stories about scammers across all scales. She also expressed that she deeply wishes AI would disappear.
Context
Fielded's career trajectory reflects a restless approach to R&B and electronic music that resists conventional genre boundaries, beginning as experimental noise and expanding into multiple sonic territories. Her stated fascination with scammer psychology and cyberpunk aesthetics appears to inform her artistic sensibility and choice of reference material. The artist has expressed opposition to AI technology, positioning herself against a contemporary tech trend.